Tuesday, November 24, 2009

From one end of the archipelago to the other, festivals fill the calendar of summer-time Japan. Originally observances of the indigenous Shinto faith, matsuri evolved through the ages to include certain seasonal rites of Chinese Buddhist origin as well. These ancient celebrations continue to hold an honored and beloved place in contemporary Japanese life.




The Shinto deities are called kami, divine forces of the unseen world. In a mutually beneficial relationship, gods serve the people and the people serve the gods, giving them their due at the proper time and place and in ancient, prescribed ways. Matsuri are the culmination of this worship, providing people opportunities to offer the gods their prayers, gifts, reverence, and joy.

When Slovenian photographer Gorazd Vilhar first arrived in Japan in 1985, he was immediately attracted to the visual power of matsuri. Having grown up in a family of artists and steeped himself academically in art history, Vilhar is passionate about color, form, and detail. In fact, it is his boundless fascination with the aesthetic richness and iconic symbolism in traditional Japanese culture that has compelled him to remain here through the years.

Vilhar was delighted to discover that the genial atmosphere of festivals offers a welcome opportunity for closer contact with the customarily reserved Japanese. Perhaps emboldened by the celebratory spirit, communal goodwill, and some sanctified sake too, people suddenly become more sociable, less restrained. Matsuri are not secret rites for true believers or initiates only, but celebrations for all who care to attend.

All over Japan summer sets the stage for annual traditions of spectacle and ceremony. This season's matsuri (festivals) beseech the gods to stave off illness and insect scourges, ensure a bountiful harvest, and provide safe passage for spirits of ancestors returning home.

The Japanese celebrate this joyous supplication with dazzling decorations, float-filled processions, glowing paper lanterns, bursts of fireworks, music and drumbeat, costumes and sometimes carnival atmosphere. Join Kateigaho International on a pictorial tour of 15 summer spectaculars.

Foreign visitors are unquestionably welcome, and their sincere interest in the proceedings is appreciated and enjoyed.

Though many countries have festival customs, Vilhar believes Japan's exceed them all. Not only are they far more numerous and varied here, but the ancient practices are also extremely well preserved. Considerable attention is devoted to the ritual attire and accouterments. The finest materials and workmanship are essential. Details receive painstaking care and enormous investments of money and time, clearly reflecting Japan's affluence and renowned dedication to quality.

The matsuri is many things to the Japanese people: an opportunity for communion with their gods and ancestral spirits; an avowal of their common past reaching far back into mythical times; a celebration of nature and renewal with the cycle of the seasons; and, not least of all, an excuse for exuberant merrymaking with family and neighbors, thereby reaffirming communal bonds and providing welcome relief from the work and routine of daily life. In the past, when life was difficult for most, well-being seemed wholly at the mercy of the kami. Yet even today, the sense of protection and security they offer helps explain their appeal.

For visitors to Japan, festivals can offer a window into traditional culture, providing unforgettable moments and memories. With their roots in the distant past, matsuri embody the continuum of form and heritage upon which Japan was built and provide considerable insight into a society striving to hold on to its identity in a fast-changing world.

KIE (Kateigaho International Edition) brings you the unique culture, art, and lifestyle of Japan. With over 50 years of experience in portraying the spirit of Japan, Kateigaho launched its English edition four years ago. It is now subscribed in over 50 countries around the world. Topics cover all aspects of Japanese art, such as crafts, cuisine, fashion and architecture in Japan that are drawing worldwide attention today. Stories are compiled by Japanese journalists with expertise in art and culture.


When we come upon a quiet image or an empty space, we often characterize it as Zen-like. But what, exactly, is Zen? We may turn to texts that bear the name Zen, but only a vague image emerges. However fully we exercise our intellect, however deeply we ponder, we cannot reach the heart of the matter.
Why is this so? It is because Zen is a matter of experience. It is because Zen is a religion, a quest for an understanding, a quest that lives in Zen meditation. We cannot unlock the heart of Zen on these pages. But we hope you can feel the form and beauty of Zen in the images and words. We seek to introduce—not that which is Zen-like—but the highest expressions of Zen itself in meditation, food, architecture, gardens, and thought.



Japan boasts countless ryokan (traditional inns), but truly luxurious places that provide perfect relaxation are limited in number. When Benjamin Warner, an architect and resident of Japan for more than 20 years, wanted to introduce a friend, Ian Birtles, to the ryokan experience, he chose Sharatei in Hakone, one of the most exclusive choices. Both basked in the meticulous care offered there. The reaction from Birtles: "This is the ultimate luxury. I can't wait to come back and share this with my wife!"
Let's find out what adds up to ultimate luxury.





Two-thirds of Japan is forested, but throughout the archipelago, from the subarctic to the subtropical zones, virgin forest accounts for only 1 percent of the trees. One could say that the basis of Japan's culture and spirituality lies in these forests. The deep woods—sacred places into which men did not lightly tread—evoked reverence and stirred the imagination. As if it were embedded in our DNA, awe of sacred trees still dwells in the hearts of modern Japanese.




Walk around Tokyo and you will notice the kanji character for "moon" in many shops. Step inside and you will see its image or character adorning random book jackets. Calendars show the daily waxing and waning moon, and products made with wood carved or water drawn during the full moon seem quite popular.
Japanese have long been captivated by this celestial fixture, and it has inspired countless poems and works of art.
Since man first walked on the moon, its rank in romantic notions seems to have waned, and paying homage to it is less common.
Now, however, in 2003, respect for the moon is spreading anew. Perhaps the desire to live in sync with the rhythms of nature, as symbolized by the waxing and waning of the moon, is in resurgence. Indeed, this seems to be a worldwide trend. In this spirit we present "moonlit Japan."





PUFFY is a duo that has torn up Japan's pop-music scene and is now finding fame in America as a pair of animation characters. They appear here in summer-night styles unique to Tokyo. In vintage kimono and chic accessories they can enjoy both the nightlife and the cool evening breezes. We bring you the looks of PUFFY-style summer and a special interview with Ami Onuki and Yumi Yoshimura




From its post-war life as the place to buy electric goods, Akihabara (often abbreviated to its pet name, Akiba) has constantly moved with the times. It became Tokyo's commercial center for consumer electronics in the '80s, and through the following decade it morphed into an area specializing in computers and software. From the late '90s to the present day, it has become the world capital of otaku culture—the realm of obsessive fans immersed in some aspect of Japanese pop culture.
Last year brought more significant change. The opening of the Tsukuba Express("TX") rail line connected Akihabara with the city of Tsukuba, a major research hub and a fast-developing bedroom community. Business complexes with striking contemporary architecture have sprung up around the station. As these towers cast long shadows over the otaku town of small shops stacked in old multi-tenant buildings, one cannot help sensing the beckoning of a new era.
Anime, comics, games, "maids," and more...this is a place without peer around the world. It is the world of the otaku actualized. We invite you to visit the Capital of Hobbies.


posted by ♥ Mikeru Wei ♥ at 8:41 PM |



0 Comments:

Post a Comment